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The artist employs the technique of portrait making even when the point of departure is an object, in which case ones personal relationship to that object that becomes the focus of emphasis.

He took notice of the unusual funerary sculptures that are crowded into the cemeteries of Budapest while taking strolls there. He made careful studies of tombstones that he found interesting; photographing them systematically from different angles, over several decades. Tombstone motifs appear in his etchings of the 1960's and from the beginning of the 1970's he started to exhibit cemetery photographs and integrated them into concept-art pieces.